ππππ Φ πππππ
Magazine of culture, traditional studies, history of religions, anthropology of the sacred, folklore, esotericism, fantastic literature
di Andrew Casella
cover: Sidney Hall, representation of the Virgo constellation, taken from "Urania's Mirror", 1825)
(follows fromΒ Stellar symbolism and solar symbolism)
All the peoples of the world sang of a mythical "first time" of abundance, in which the gods walked the earth and all things were in harmony. The myth of the Golden Age fascinated poets from remote antiquity to the times of the Renaissance. Basically, it was believed to be a time of material wonders, in which the bodily well-being of men was guaranteed by the natural and infinite flow of milk and honey. But are things really as the poets sang? What was the Golden Age really? The poets themselves, on the other hand, have preserved (consciously or not) some revelatory clues to the mystery, which refer, once again, to the celestial vault.
di Andrew Casella
It will certainly not go unnoticed by those who are at least a little accustomed to sacred science, a Christian symbol that has always stood out on the facades of churches, adorns manuscripts and is even found on a tarot blade: the tetramorph. This symbol draws its origin from the famous vision of Ezekiel (Ez. 1, 4-28) which St. John later poured into his own Apocalypse. These are four figures that surround the throne of God: the first has the appearance of a lion, the second of a bull, the third of a man and the fourth of an eagle in flight (Ap. 4, 7). Traditionally, these strange figures (which the Apocalypse calls the "Living") are attributed a literary value: in fact, they are the four evangelists, Matthew, Mark, Luke and John. These figures, however, as mentioned, can be found (even more strangely, one might say) also on a tarot blade, and precisely the number XXI, which designates the world.
di Marco Maculotti
cover: Hermann Hendrich, "Wotan", 1913
[follows from: Cosmic cycles and time regeneration: immolation rites of the 'King of the Old Year'].
In the previous publication we had the opportunity to analyze the ritual complex, recognizable everywhere among the ancient Indo-European populations, centered on theimmolation (real or symbolic) of the "King of the Old Year" (eg. Roman Saturnalia), as a symbolic representation of the "Dying Year" that must be sacrificed to ensure that the Cosmos (= the order of things), reinvigorated by this ceremonial action, grants the regeneration of Time and of the 'World' (in the Pythagorean meaning of Kosmos like interconnected unit) in the new year to come; year which, in this sense, becomes a micro-representation of the Aeon and, therefore, of the entire cyclical nature of the Cosmos. Let's now proceed toanalysis of some divinities intimately connected with the "solstitial crisis", to the point of rising to mythical representatives of the "Winter Sun" and, in full, of the "King of the Waning Year": Cernunno, the 'horned god' par excellence, as far as the Celtic area is concerned; Odin and the 'wild hunt' for the Scandinavian one and Dionysus for the Mediterranean area.
di Marco Maculotti
In ancient traditions around the world we find reference to a god of origins, who came into existence before all else, creator of all that is manifest and equally of all that is unmanifest. The most disparate mythical traditions depict the primordial god as containing all the potentials and polarities of the universe, light and darkness, spirit and matter, and so on. For this reason, he is often represented with two faces (two-faced Janus) or even with three (Trimurti Hindu). However, more often than not he is considered invisible, hidden, difficult to represent except in an allegorical, esoteric form, which often refers to the union of the luminous and fiery principle, 'masculine', with the dark and aqueous, 'feminine' . In the traditions of the whole world, this primordial god is not honored with a cult of his own, since it is believed that he now lives too far from man and human affairs do not concern him: for this reason, this maximum deity is often spoken of as of a deus otiosus.
