Hamlet, or of infinity and action

Mythical-anthropological portrait of the protagonist of one of the most paradigmatic Shakespearean plays: reflections on the Dionysian Man in front of Mรฆlstrรถm and non-sense, on the "border" where Hamlet reigns as "Fool", on the existing dichotomy between visible-tangible and invisible -intangible.

Reflections on vegetarianism

There is a chain that goes from the invisible and immobile "nourishment" of the mineral, to the primordially articulated one of the plant, to that of the herbivorous and then carnivorous beast, in which the original fall manifests itself for the first time in dramatic form, to the human one, in which the tension between guilt and redemption is greatest