HP Lovecraft, the New Babel and the advent of the New Dark Age

As some "Sunday critics" say, Lovecraft always put before the alleged racial hatred the viscerally felt horror in the first person towards the advent of the modern world, the empire of machines and total depersonalization, in which every individual and his highest visions are swallowed up and inserted in a cosmic framework of universal tragedy, devoid of any higher outlet. And New York was, of course, raised in the image of the New Babel, which engulfs ancient traditions and human differentiations in a continuous, abject ritual of collective depersonalization, standardization and dehumanization.

Devotion: the sunset of the idols and the Waldgรคnger trail

The godless world saw the birth of man. On the desolate battlefield the astonished winner stood up and a naive triumphant grin was printed on his face: the war was perhaps won, the hated enemies defeated, man could finally get out of his lair and march on earth and other creatures. What a joy for the peoples, but what a tragedy for the world! Today, at the "Wall of Time"And al crossroads of history, having broken the order that we have taken for granted too lightly, we are preparing to build new paradigms for the world to come.


Villiers de l'Isle-Adam, adventurer of the unconscious

Villiers's universe is frozen and delusional, even more so than Sade's: it's a world haunted by gothic but modernized ghosts, crossed by lightning whims of style. Defined by Verlaine "un poรจte absolu", revered by Mallarmรฉ and placed by Baudelaire on the same level as Poe, Auguste de Villiers de l'Isle-Adam was one of the most iconic characters of French decadence and of the whole of the nineteenth century.