The "memetic contagion" in the metropolitan folklore of Danilo Arona

A multifaceted author whose interests range from film criticism to fiction to non-fiction dedicated to alternative realities, Danilo Arona has become the singer of a particular and very personal declination of horror and weird that has its roots in the Italian context. In his essay "Media Possession", Arona wonders if it is possible that certain media, especially audiovisual ones, are capable of provoking in predisposed subjects a temporary cancellation of conscience whose place is taken by "something else", in a nutshell what in other places, times and cultures would have been called possession.

Science and fantasy: โ€œEtidorhpaโ€, John Uri Lloyd's Hollow Earth

In John Uri Lloyd's "Etidorhpa" the passage from the materialistic nineteenth century to the quantum twentieth century is condensed, ambiguous and relativistic, under the banner of Heisenberg's uncertainty principle: a century in which the fantastic resurrects in the heart of that same science that had naively believed to exorcise him.

"When the stars will be right": HP Lovecraft between prophecy and Apocalypse

In tales such as "The Call of Cthulhu" (1926) and "Nyarlathotep "(1920) Howard Phillips Lovecraft foresaw the crisis of Western civilization that we are witnessing today, a century later: from this point of view, the boundless sequence of horrendous crime reports, spy of a world in prey, should be framed to an incurable and pervasive anguish, in which the seasons have altered their natural cycle and in which wars and revolutions follow one another continuously, throwing humanity into a situation of apparently irreversible crisis, destined to lead, "when the stars have returned to the right position โ€, in aโ€œ New Dark Age โ€.

Jacques Bergier and "Magic Realism": a new paradigm for the atomic age

Recently translated into Italian by the types of Il Palindromo, "In praise of the Fantastic" by the French writer and journalist Jacques Bergier, best known for having written with Louis Pauwels "The morning of the wizards", provides an analysis of the work of some "magic writers" at the time unknown to the French-speaking public (including Tolkien, Machen and Stanislav Lem), aimed at defining a new paradigm for the XNUMXst century that can combine science and science fiction with the ontological category of the "sacred".