Tag: Greek tradition

Cernunno, Odin, Dionysus and other deities of the 'Winter Sun'

Published on: Last updated on: Written by: Categorized into: Anthropology, Esotericism, Mito, History of Religions
It would seem, indeed, that all these numinous powers, as well as a certain chthonic-telluric and chaotic-wild aspect of nature, are also symbolically connected to the Winter Sun, or rather to the "Dying Sun" in the coinciding final days of the Year. with the "solstitial crisis", during which the heliacal star reaches its annual nadir.

di Marco Maculotti
cover: Hermann Hendrich, "Wotan", 1913

[follows from: Cosmic cycles and time regeneration: immolation rites of the 'King of the Old Year'].

In the previous publication we had the opportunity to analyze the ritual complex, recognizable everywhere among the ancient Indo-European populations, centered on theimmolation (real or symbolic) of the "King of the Old Year" (eg. Roman Saturnalia), as a symbolic representation of the "Dying Year" that must be sacrificed to ensure that the Cosmos (= the order of things), reinvigorated by this ceremonial action, grants the regeneration of Time and of the 'World' (in the Pythagorean meaning of Kosmos like interconnected unit) in the new year to come; year which, in this sense, becomes a micro-representation of the Aeon and, therefore, of the entire cyclical nature of the Cosmos. Let's now proceed toanalysis of some divinities intimately connected with the "solstitial crisis", to the point of rising to mythical representatives of the "Winter Sun" and, in full, of the "King of the Waning Year": Cernunno, the 'horned god' par excellence, as far as the Celtic area is concerned; Odin and the 'wild hunt' for the Scandinavian one and Dionysus for the Mediterranean area.

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Pachacuti: cycles of creation and destruction of the world in the Andean tradition

Published on: Last updated on: Written by: Categorized into: Anthropology, Esotericism, folklore, Mito, History of Religions

di Marco Maculotti
cover: Paracas culture textiles (coastal Peru)


A central concept in the Andean cosmogonic tradition is the belief in regular cycles of creation and destruction that would initiate and end the various cosmic eras. Time was conceived in a circular way; according to this doctrine, it had only two dimensions: the present (Kay Pasha) which at its end leads to the "ancient time"(Nawpa Pacha), from which we will return again to the present time [Carmona Cruz p.28].

This doctrine, comparable to that of the Indian Yuga and to the Hesiodic one of the ages, is based on a principle of cyclicality that would govern everything in the cosmos and which is called by the Andean tradition pachacuti, literally "a revolution, a procession of space and time". With this term, in the myths, a series of catastrophic events are described that foresee the general destruction of the humanity of the sky and its subsequent replacement with a new humanity - see the myths of origin of Lake Titicaca, in which it is said that Viracocha exterminated a previous race of giants with the flood or with a rain of fire to then create a subsequent humanity, the current one [cf. Viracocha and the myths of the origins: creation of the world, anthropogenesis, foundation myths].

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