β€œThe Shining”: in the labyrinths of the psyche and time

From the careful analysis of Stephen King's novel (1977) and of the film counterpart by Stanley Kubrick (1980), readings emerge that we can define as "esoteric": the Overlook Hotel as a labyrinth / monster that swallows its occupants and as a space outside of time; the superimposition of the past with the present in a similar perspective to that of the so-called "Akashic memory"; the "shimmer" as a supernatural capacity to insert oneself into this flow outside of time and space; a conception of the United States of America as a single, huge Indian cemetery (and not only).