Reality, illusion, magic and witchcraft: the "uncanny" in ETA Hoffmann's "Nocturnes" (II)

After the analysis of "The Sandman", the treatment of the second part of our essay on ETA Hoffmann focuses on other "Nocturnes" in which the previously anticipated 'disturbing' themes are treated, and also other more specifically 'demonic-witches' themes.

Eyes, puppets and doppelgΓ€nger: the "uncanny" in "Der Sandmann" by ETA Hoffmann (I)

Two centuries after its publication, ETA Hoffmann's "Man of the Sand" is still today one of the literary works indispensable for understanding the poetics of the "uncanny", destined to influence the psychoanalytic theories of Freud and Jentsch, the works of Hesse and Machen, the films of Lynch and Polanski.

Shamanic aspects in the cult of Ganesha, the elephant-headed goddess

Starting from Airāvata and the mythology of the "blending of the Ocean of Milk" and then reaching Ganesha, Giuseppe Acerbi aims to identify some esoteric correspondences between the elephant-headed divinities of ancient India, Iran, Japan and the Americas.

Rudyard Kipling's India between folklore, terror and wonder

In the "Anglo-Indian Tales of Mystery and Horror", Kipling places himself in the position of Western observer and narrator of an 'other' and atavistic culture such as the Indian one, which if necessaryΒ reveals itself to his eyesΒ as a mirror of ours.