"Santa Claus executed", or the eternal return of an immortal rite

With an essay with a provocative title, "Santa Claus executed", Claude Lรฉvi-Strauss is inspired by a bizarre news event at his time - the hanging and holocaust of a puppet of Santa Claus by the Dijonese clergy - to arrive to the understanding of the "true meaning of Christmas", based on the reciprocal relationship between the world of children and that of the dead. The method used for this purpose is a synchronic and confrontational approach with non-European societies.

Apollo the Destroyer: "coincidentia oppositorum" in hyperborean mysticism and eschatology

Although mostly considered in his "luminous" and "uranic" meaning, in the archaic tradition Apollo combines the most extreme dichotomies in his mystical and eschatology: the bow and the lyre, wisdom and "mania", depth and elevation, the catabasis and the journey in spirit to the White Island, the "Fall" of Being and the return of the Golden Age. Starting from ancient sources, we can find similar concepts not only to those of North Asian shamanism and Celtic spirituality, but even to the sacred vision of some modern poets โ€” like Blake, Shelley and Yeats - whose Apollonian chrism will appear clearer to us if we analyze their โ€œWeltanschauungโ€ in the light of the Platonic and Heraclitean doctrines.

Auras and inner lights

Since the perception of a light characterizes the apparition of the divine, the luminous has always been associated with the numinous. The great dilemma that Walter Benjamin proposes is whether the visual impression is determined exclusively by the biology of the human eye or is also characterized by cultural and historical specificities. This contribution seeks to reconstruct how the experience of light in the West has changed over the centuries in intensity and suddenness and how its modes of manifestation have changed.


Dionysus in the mirror: the mask, the Daimon and the metaphysics of the "other-than-self"

The mask and the metaphysics of the "other-than-self": the youthful initiations in ancient Rome and the Dionysian symbolisms according to Kรกroli Kerรฉnyi and Walter Otto; L'"archetypality and paradigmatic nature of the archaic man "who, according to Mircea Eliade," recognizes himself "truly himself", only to the extent that he ceases to be "; the Daimon and the "Antithetic Mask" in WB Yeats's Vision; Dionysus in the mirror, Vishnu who dreaming creates the countless worlds and Thomas Ligotti's "solipsistic god of dreams".

The human being as multiplicity: mask, "doppelgรคnger" and puppet

Since modern man has dramatically realized that the unity of the human being is an illusion some of the highest minds of his consortium have sought - in a uncanny game of masks, mirrors and dolls - to understand how to integrate one's infinite personalities and overcome the existential nihilism that such masks potentially offer: from ETA Hoffmann's โ€œThe Sandmanโ€ and EA Poe's โ€œWilliam Wilsonโ€ to Hermann Hesse's โ€œThe Steppe Wolfโ€; from the contemporary cinema of Roman Polanski and David Lynch to Thomas Ligotti's "marionette metaphysics" and HP Lovecraft's "cosmic horror".

The interiority is formed in chronospheres

In our psyche, especially in the unconscious, time is not only marked by numerically measurable intervals, like those of a chronometer, nor by cause and effect relationships, but also by many qualitative moments that reverberate with each other with own rhythms.

From Stonehenge to Rapa Nui: Donald Wandrei and the return of the Titans

Taking both hands from the "Weird" literature of HP Lovecraft e Arthur Machen and combining the proceeds with the hypotheses of Charles Fort and the theosophical and "Atlantean" doctrines, Wandrei's 1932 novel was able to anticipate if not actually shape most of the cultural currents ascribable to the so-called "alternative reality" of the second part of the twentieth century: from the "magic realism" of Jacques Bergier to the "paleo-astronautics", from the encounter with extraterrestrial civilizations up to some dystopian predictions that today, almost a century later, do not seem science fiction at all.