The Bringer of Fire: Prometheus and the sense of the tragic in ancient Greece

On the one hand the fire represents the Logos, but on the other Prometheus embodies the wild nature of ancient cosmology, as opposed to the rationalization implemented by the society of the polis on the world outside the Hellenic civilization considered "barbaric" and irrational. The very sense of the tragic is based exactly on the sphere of non-rationality, on the mythical representation of the unconscious shadows of the Greek population of the polis and of man himself.

Percy Bysshe Shelley: Prometheus in the Wind

8/7/1822 - 8/7/2020: almost two centuries from the drowning of Percy Bysshe Shelley, whose figure immediately became admired and venerated by the most restless spirits. The Prometheus who steals fire to give it to men, found in the English poet a version at the extremes of high ideality, in the name of a radical social and spiritual renewal. An unrepeatable season, here told through little-known sides of ours and through the profound influence on personalities very distant from each other, such as d'Annunzio, Crowley and Carducci.


Apollo the Destroyer: "coincidentia oppositorum" in hyperborean mysticism and eschatology

Although mostly considered in his "luminous" and "uranic" meaning, in the archaic tradition Apollo combines the most extreme dichotomies in his mystical and eschatology: the bow and the lyre, wisdom and "mania", depth and elevation, the catabasis and the journey in spirit to the White Island, the "Fall" of Being and the return of the Golden Age. Starting from ancient sources, we can find similar concepts not only to those of North Asian shamanism and Celtic spirituality, but even to the sacred vision of some modern poets β€” like Blake, Shelley and Yeats - whose Apollonian chrism will appear clearer to us if we analyze their β€œWeltanschauung” in the light of the Platonic and Heraclitean doctrines.

The sexual bipolarization, the "feminine" and the advent of human corporeality

In this new appointment of the cycle of articles β€œManvantara” we will investigate the cosmological-traditional meaning of the two sexes, as well as the modalities and consequences connected to their differentiation, with particular regard to the human level.

The "Heavenly Fire": Kronos, Phaeton, Prometheus

di Andrew Casella
cover: Jean Delville, Prometheus, 1907)

[Continued fromΒ The astronomical significance of the Golden Age: Astrea and the "fall" of Phaeton]

In a Mongolian wedding prayer it is stated that: "Fire was born when Heaven and Earth separated": Therefore, before the celestial equator (Father Heaven) and the ecliptic (mother Earth) moved away (ie the inclination angle of about 23 Β° of the ecliptic with respect to the equator was recorded), the" Fire " did not exist. At the beginning, the Milky Way united heaven, earth and the world of the dead: the southern part of the Galaxy, in correspondence with Scorpio and Sagittarius, is, for many traditions, the place dedicated to the collection of souls waiting to reincarnate.

The festival of Lughnasadh / Lammas and the Celtic god Lugh

In ancient times, among the Celtic populations, at the beginning of August Lughnasadh / Lammas was celebrated, the festival of the first harvest, established according to the myth by the god Lugh himself. An analysis of the functions of the latter will allow us to highlight its remarkable versatility and correspondences with other divinities of the Indo-European traditions (such as Apollo, Belenus and Odin) and even with two divine powers of the Judeo-Christian tradition apparently opposed to each other. : Lucifer and the archangel Michael.