The diabolical conferences of Arthur Christopher Benson

Dagon Press recently published in Italian - with the title "The closed window" (translation by Bernardo Cicchetti) - the supernatural tales of Arthur Christopher Benson, along with Montague Rhodes James one of the most significant "ghost-writers" English of the early twentieth century, as well as comparable in suggestions and themes to writers roughly contemporary to him and equally "esoteric" such as Arthur Machen, HP Lovecraft and Algernon Blackwood.

From Stonehenge to Rapa Nui: Donald Wandrei and the return of the Titans

Taking both hands from the "Weird" literature of HP Lovecraft e Arthur Machen and combining the proceeds with the hypotheses of Charles Fort and the theosophical and "Atlantean" doctrines, Wandrei's 1932 novel was able to anticipate if not actually shape most of the cultural currents ascribable to the so-called "alternative reality" of the second part of the twentieth century: from the "magic realism" of Jacques Bergier to the "paleo-astronautics", from the encounter with extraterrestrial civilizations up to some dystopian predictions that today, almost a century later, do not seem science fiction at all.

From Montague Rhodes James to Ari Aster's β€œHereditary”

In some of the most terrifying stories of Montague Rhodes James emerges the Hoffmannian-Ligottian theme of man as a puppet or marionette, at the mercy of demonic entities that hide behind the scenes of reality: particularly successful is "The Haunted Doll's House", which has partially inspired by Ari Aster's film β€œHereditary”.


The supernatural horror of Montague Rhodes James

Far from being classified simply in the context of "hauntology", the stories of Montague Rhodes James, far more than just "ghost stories", anticipated the "cosmic-horror" mythopoeia of HP Lovecraft and Thomas Ligotti, presenting the Horror in β€œtotally other” terms, completely unrelated to anthropomorphism and the typically human physical-corporeal dimension.